The Great Indian Wedding Book 2026 | Fashion, Architecture & Luxury Lifestyle Photography by Pravin Talan

JJ Valaya blue and gold couture in motion beside a mirror reflection and red velvet drapery
JJ Valaya
Fashion · Luxury lifestyle · Architecture

The Great Indian Wedding Book 2026

Ten designers. Distinct visual identities. One day at Fairmont Mumbai and Roswyn.

Photography & story by Pravin Talan

Every photography assignment brings its own excitement. This one presented a particular challenge: ten designers, ten distinct creative identities and one day to photograph an extensive fashion editorial for The Great Indian Wedding Book 2026. Each designer came with an established name and a distinctive body of work. Each deserved photographs that did justice to it. We needed at least forty usable images—not just ten master shots, but compositions that revealed the couture, its craftsmanship and the premium jewellery.

My idea was to photograph today's young, confident woman in contemporary urban lifestyle settings. Fairmont Mumbai and Roswyn offered the architectural scale and atmosphere. The challenge was to make the woman, the fashion, the jewellery and the space work together, rather than compete for attention.

Manish Malhotra silver couture on Fairmont Mumbai’s monumental marble staircase beneath Art Deco chandeliers
Manish Malhotra

Interpreting fashion through light and space

I have admired the work of Manish Malhotra and JJ Valaya over the years, and our paths have crossed on different occasions. But the excitement here was the challenge of interpreting their distinctive creative languages alongside those of eight other designers.

Manish Malhotra's intricate silver couture worked beautifully against the grand marble staircase; photographed from above, the same embroidered garment became a composition in itself. JJ Valaya's rich detailing suggested mirrors, layered shadows and movement. Ritika Mirchandani's contemporary silhouette worked with Fairmont's geometric lobby ceiling and reflective floor. Shantanu & Nikhil's striking red ensemble found another character under the club's own dramatic lighting. With Falguni Shane Peacock, I used more intimate directional light to bring out the fabric, jewellery and embellishment against the darker interiors.

We moved between flash, LEDs, existing architectural lights and natural light, depending on the outfit and the space. Some photographs needed movement; others needed stillness. In a few frames, the most important decision was to preserve the hotel's lighting so the picture retained the atmosphere of the location.

Full-length fashion portrait by Pravin Talan of Ritika Mirchandani couture in the Fairmont Mumbai lobby beneath an illuminated geometric lobby ceiling, reflected in polished marble flooring
Ritika Mirchandani
Intimate JJ Valaya fashion portrait through a translucent blue veil with gemstone jewellery in warm directional light
JJ Valaya
Gold ITRH couture framed by circular wall art and dramatic shadow
ITRH
Cinematic portrait in Aisha Rao couture beside glowing textured glass with controlled warm sidelight
Aisha Rao
Red Shantanu and Nikhil couture in the hotel club, illuminated by its architectural lighting
Shantanu & Nikhil
Overhead photograph of Manish Malhotra silver embroidered lehenga spread across marble steps
Manish Malhotra
Sculptural metallic Amit Aggarwal gown against black wall panels and red shelving
Amit Aggarwal
Red Abhinav Mishra couture photographed beside gold ornamental architecture
Abhinav Mishra
Falguni Shane Peacock couture and premium jewellery in the hotel bar with directional lighting
Falguni Shane Peacock
Full-length Aisha Rao fashion ensemble in an illuminated hotel interior
Aisha Rao

Working inside a luxury hotel

Years of photographing luxury destinations, from Taj hotels to Savoy Sharm El Sheikh and Le Méridien, had taught me that no hotel, however supportive, can put its guests second to a production. During the recce we matched outfits to different spaces and worked around restaurant, club and public-area timings. Sometimes the shooting order changed; sometimes we waited. The Fairmont team was supportive throughout.

By the time we wrapped at six in the evening, we had walked nearly eight kilometres inside the hotel. Preparation, flexibility and a strong team had made ten very different visual stories possible in one day.

Abhinav Mishra red couture and jewellery against richly patterned gold architectural wall
Abhinav Mishra
Anita Dongre fashion portrait with jewellery beside ornate gold architectural panels
Anita Dongre
Close fashion portrait showing Manish Malhotra embroidery and jewellery
Manish Malhotra
ITRH gold couture portrait against circular decorative panels
ITRH
Shantanu and Nikhil red couture beneath dramatic hotel club ceiling lighting
Shantanu & Nikhil
Ritika Mirchandani fashion portrait with geometric hotel interiors
Ritika Mirchandani
JJ Valaya couture showing flowing fabric and decorative detailing
JJ Valaya
Full-length Falguni Shane Peacock ivory couture in a luxury hotel interior
Falguni Shane Peacock
Low angle view of red Abhinav Mishra couture, embroidered veil and statement jewellery
Abhinav Mishra
Manish Malhotra silver couture photographed on a marble staircase
Manish Malhotra
Detailed portrait of Manish Malhotra silver couture and jewellery
Manish Malhotra
Full-length Anita Dongre fashion look in a luxury interior
Anita Dongre
Model photographed through reflective panels in a hotel interior
Fashion portrait through reflections · Photography by Pravin Talan

A collaboration across two decades

Atul Pandey and I have worked together for nearly twenty years—from photographing international models in Cape Town for Mega Modelz to covers featuring Jacqueline Fernandez and Anusha Dandekar, followed by earlier editions of The Great Indian Wedding Book and the Blenders Pride Fashion Resource Book calendar. Each collaboration has brought a different creative idea and a new challenge.

Behind the scenes reflection of photographer Pravin Talan making a fashion portrait
Behind the scenes

Unveiled at IBWM 2026

The sixth edition of The Great Indian Wedding Book was unveiled by Tiger Shroff at India's Best Wedding Makers (IBWM) 2026, at the Jio World Convention Centre in Mumbai. Immediately before the unveiling, I was invited to speak alongside Prateek Tandon, Co-founder of IBWM, about the creative vision behind our exclusive fashion editorial. I shared how we had set out to portray today's young, confident Indian woman in contemporary luxury spaces, bringing together high fashion, couture, architecture and modern urban lifestyles. The idea was to move beyond conventional bridal imagery and create a lifestyle statement—where the woman, her individuality and the environment were as important to the visual story as the clothes she wore. The unveiling presented the publication to an audience spanning luxury hospitality, fashion, design and destination experiences.

Tiger Shroff unveiling The Great Indian Wedding Book 2026 with Atul Pandey and Prateek Tandon at IBWM 2026
The Great Indian Wedding Book unveiled at IBWM 2026

Photography: Pravin Talan · Fashion styling: Tanya Ghavri · Hair and makeup: Shradha Luthra · Creative collaboration: Atul Pandey · Locations: Fairmont Mumbai and Roswyn

Coverage: Mathrubhumi fashion feature · ANI News · The Tribune (syndicated) · ThePrint (ANI syndication)

Photographs © Pravin Talan.

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